Tuesday, 8 December 2015

Short Film Movie Analysis Homework

  • Less scenes but still illustrates the purpose of the film as well as any feature length film story.
  • Has to be very concise and direct.
  • Smaller budget (Micro budget £1000, other borough like wands worth ranging about £1- 5K, digital short budget 5-10K.
  • Much more experimental in their form, generally they are aimed at niche audiences.
  • Most short follow the beginning, middle and end tradition.
  • Short film are very compacted and compressed.
  • No A-list celebrities in short films.
  • Less well known talents.
  • Far simpler setups.
  • Short film contains an internal logic. It can push the envelope/boundaries. Happens in short before feature.
  • More risk is taken in short films when compared to a feature film.
  • Not many characters needed or even none. Graphics can be used the whole way.
  • Importance of the title.      



Notes on “The Man with the Beautiful Eyes”


The man with the beautiful eyes


Made in 1999 (Initial release: 2000)


Director: Jonathan Hodgsom


  • Poetry use on film.
  • Very unique compared to other short films. It is visually portrayed with the use of paint, ink, and collage.
  • Begins dreamlike and turns out to be more like a bad dream as the grown-ups fears and prejudices transform a residential community safe house of innocence into some place awful and frightening.
  • The overall film is based on discrimination/prejudice.





Notes on “About a girl”
About a girl
Made in 2001
Director: Brian Percival

  • This short film raise our regard for distinctive ideologies.
  • It is a fusion of a physical and a metaphorical journey.
  • The short film likewise displays the topic, appearance vs reality.
  • This movie gives out a sense of realism; linking to the genre social-realism.





Notes on “Soft”
Soft
Made in 2006
Simon Ellis

  • A story that tells a hard story of viciousness and reprisal.
  • Different in a way that it is against the norm; usually parents help children, in this case it happens vice versa.
  • Relevant in a modern society.
  • This film was not just about roughness but rather about something more profound, darker, more unsayable: a trepidation of our children, and older individual's  apprehension and hate of the youthful.



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